The Legacy of the Patik

Patik

INTRODUCTION

Did you know that the precolonial Filipinos practiced the art of tattooing, inking their skins with symbols of bravery, prestige, power, and for beauty; and the ancient Filipinos have a special word for this — the patik.

Patik comes from the Cebuano language, the lingua franca of the sixteenth-century Central Visayas, that means to tattoo, to mark, or to print. In the 1500s, when the Spaniards sailed on Visayan waters, they described that the natives of these islands were black with tattoos. Thus, they named the Visayas as the Islas de los Pintados or the Islands of the Painted People.

WIDESPREAD PRACTICE

It was not only the precolonial Visayans practiced the art of tattooing, for up in the mountains of Northern Luzon, the Igorot people or the Cordillerans, have this similar practice, and in the Kalinga province, they call this the batok. Meanwhile the Ibanags, the people living on the banks of Cagayan River below Gattaran, they named this as the appaku, that came from the word paku, or fern, for its fern-like designs.

SOCIAL SIGNIFICANCE

In precolonial times, for men and women, having a patik, batok, or appaku was no easy feat — one has to earn it. These skin arts were treated like precious pieces of jewelry or medals of honor, which announced their rank, valor, and social standing. The more tattoos they have, the more experience they had; therefore, the more respect they receive.

These skin arts were treated like precious pieces of jewelry or medals of honor, which announced their rank, valor, and social standing. The more tattoos they have, the more experience they had; therefore, the more respect they receive.

TATTOO DESIGNS

Regional tattoos might be geometric shapes that represented powerful or poisonous animals such as pythons, crocodiles, eagles, dogs, centipedes, and other cunning creatures. Thus, a warrior with a full-body tattoo that depicted these creatures was a dangerous and powerful man. There were also decorative and flowery tattoos such as lilies, lotuses, ferns, and hibiscus.

WARRIOR’S PATIK

In ancient Visayas, a warrior would receive his first tattoos at their ankles, working its way up on to its chest, shoulders, and the buttocks and back as his warring experience grew. Tattoos on the face, from ears to chin and around the eyes were reserved only for the greatest and fiercest Visayan warriors who had successfully protected their village and eliminated their enemies.

TATTOOS AND SEX

According to historians, there’s a Visayan term called tigma that means a youth’s first taste of sex or war while tiklad is his/her first victory in love or battle. And the precolonial Visayans who had experienced these were tattooed for laudatory notices from their community.

SPIRITUALITY

Also, the wives of the warriors were also tattooed, for if these women were not lavishly painted, they could not enter their ancestral land of the dead, as for the old beliefs of the Ibanags.

POINTS TO PONDER

Currently, the ancient Filipino-inspired tattoos are now easily purchased from tattoo artists — not requiring heroic feats — and they are sadly classified as tribal tattoos; yet upon understanding patik, batok, and appaku, we can appreciate that:

  1. The precolonial Filipinos had a system of awards and recognition through these valuable tattoos.
  2. These ancient tattoos were earned through bravery, hard work, and service to their community.
  3. And these are cultural treasures from the precolonial Filipinos that we can be proud of.

REFERENCES

  • Emma Helen Blair & Alexander Robertson, The Philippine Islands 1493-1898 (Volumes I–LV). Cleveland, Ohio: The Arthur H. Clark Company, 1903-1909. Retrieved from: http://quod.lib.umich.edu/p/philamer/
  • Manansala, Vicente. Planting of the First Cross, 1960s. Manila: National Museum of the Philippines.
  • Scott, William Henry (1994). Barangay: Sixteenth-Century Philippine Culture and Society. Quezon City: Ateneo De Manila University Press.

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